Exciting finds at Artcurial’s 20th Century Interiors sale

 

Artcurial has a very exciting and accessible two part sale coming up on the 4th of October.  You have lots of time to browse and make careful choices!  There are over 500 lots just in the day sale! We’ve scouted a few great items for you and have included links to the auction house’s website.

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Mart Stam’s Chaise B43 (lot 204) in molded plywood and tubular steel.

The estimate is  250 – 300 €

This is an incredibly interesting estimate on a chair that arguably launched Modern design! Ludwig Mies Van der Rohe is known to have learned about this chair and told Marcel Breuer, leading to both Mies Vander Rohe and Breuer making their own now iconic versions of tubular steel seating. The chair above it where it started! Evolutionary!

 

 

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A beautiful little ceramic jar by Piero Fornasetti (lot 326)

Estimation 300 – 400 €

It’s worth clicking on the link above and viewing the jar on the Artcurial website where you can zoom in and appreciate the detail of this drawn neoclassical architecture work on ceramic. The lid is original and undamaged.

 

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Daum Nécessaire de bureau (lot 85) is amber-tinted crystal.

Estimation 200 – 250 €

It’s a group composed of a pen holder, a vessel for cigarettes on the left and the middle vessel is a little ash tray.  This elegant set could be used for fresh flowers, more pens, paperclips etc. on your desk today.
H.: 14 cm; 11 cm; 7,5 cm

 

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This 1950s Danish teak table and four chairs by Hans Olsen (Lot 593) is a set we have found several times for our city clients. It’s an elegant and very practical dining solution for apartments.

Estimation 1 500 – 2 000 €

Stamped by Editor: Frem Møbelfabrik
Table : 75 x 106 cm
Chaises : 715 x 48 x 42 cm

 

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This elegant pair of Model 2564-1950 standing lamps in brass, painted metal and wood is (lot 627) by Josef Frank, an important Modernist architect and founding member of the Vienna Werkbund.

Estimation 1 000 – 1 500 €

Stamped by Editor: Édition Svenskt Tenn
h: 152 w: 42 cm

 

screen-shot-2016-09-22-at-11-50-35-pm  A French Silvered Champagne Bucket (Lot 250). We included this as inspiration for finding vintage gifts this year as we slowly head toward the holiday season!

Estimation 500 – 600 €

H.: 19,8 cm

Not to miss!

Roger Tallon – Design in Motion

The French industrial designer left his complete archives to the Musée des Arts Décoratifs who have organized a wonderful tribute to his important work, which includes the TGV and the Téléavia P111 portable television, which we have been asked to hunt down more than once.  This object’s cult following lives on today. This exhibition includes drawings and models of each design.

avia_24-hd-7dec1-resp193Portable television set P111, Téléavia, 1963
Roger Tallon’s archives
© ADAGP, Paris / photo : Les Arts Décoratifs, Paris
p.s. This Reversible Chair model TS from 1978 is some of Roger Tallon’s work. It is lot 496 in the Arterial Sale mentioned above. The estimate is 400-500 Euros!
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‘Art & Design sans Frontières’ at Tajan, Paris

art-and-design-without-boundaries-selling-exhibition-at-ader-picard-tajan-paris‘Art & Design without Boundaries’ at Tajan, Paris

French auction house, Tajan is currently hosting the exhibition ‘Art & Design without boundaries’ as part of their program ‘The Artist and his Supporters’ which launched in 2004. The program, created by Rodica Seward (Tajan’s President) and Jean-Jacques Wattel (expert in decorative art and design at Tajan), was founded to promote innovative art and design and has evolved into a separate entity called the Tajan ArtStudio.

The current expo is a ‘selling exhibition’ or ‘systeme de gallerie’ with pieces coming directly from the artists and designers with a price tag – not the secondary market as one assumes at an auction house. There are no guiding estimates – interested buyers contact the auction house direct with price enquiries. There are four ‘selling exhibitions’ per year.
Exploring the dialogue between contemporary art and design, in this current exhibition the work of several designers is displayed in conjunction with the work of contemporary French artist, François Rouan.
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Wax painting and oil on woven canvas by François Rouan, 2013; Bronze Age chaise longue, 2014, by Frank Tjepkema. Limited edition of 3 + 1 AP
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‘Bronze Age’ chair, 2016, by Frank Tjepkema. Limited edition of 8 + 2 AP.
“For this project I wanted to create something totally opposite to the technology driven trends based on the emergence of new digital tools such as 3D printing. I like the idea that bronze is precious and is therefor implicitly sustainable. It is either preserved or remelted but never discarded. Who knows, maybe these pieces contain a couple of remelted ancient bronze swords !”. Frank Tjepkema
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wax-painting-and-oil-on-woven-canvas-by-francois-rouan-2015-and-chained-up-steel-table-in-polished-stainless-steel-and-glass-2013-by-barberini-gunnellWax painting and oil on woven canvas by François Rouan, 2015; and ‘Chained Up steel’ table in polished stainless steel and glass 2013 by Barberini & Gunnell. Limited edition of 10 + 2 AP.
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Close up of ‘Chained Up steel’ table by Barberini & Gunnell
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 Wax painting and oil on woven canvas, 2016 by Françcois Rouan; ‘Cascata’ table in crystal glass, 2016 by Barberini & Gunnell. Limited edition of 10 + 2AP
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Wax painting and oil on woven canvas, 2015 by François Rouan; ‘Shiqule Lan Se Nuhai’ enamelled ceramic vase, 2015, by Marcel Wanders (limited edition of 8); bench in carbon fibre, 2015 by Il Hoon Roh 
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‘Styrene’ suspension light in polystyrene, 2002, by Paul Cocksedge.  Unique piece
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‘Kon Tiki’ stool, 2016 in aluminium by Misha Kahn. Limited edition of 8
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Table in aluminum with glass top and removable legs, 2016. Il Hoon Roh
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Screen in carbon and fibre optiques, 2016, Il Hoon Roh
We had the opportunity to go up to the first floor and see this spectacular screen by Il Hoon Roh. And look at that fabulous 1930s floor!! The Tajan premises were originally the headquarters of a French bank.
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37 rue des Mathurins,
75008 Paris
Wishing you all a very happy weekend!

Diego Giacometti Collection at Artcurial

 

 

 

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Pair of tabourets … a la souris, circa 1960.

A 20 Year Friendship with Diego Giacometti: Brollo Collection

14 September 2016 at Artcurial Paris

This collection is the reflection of a friendship – a shared passion for Italian culture, language, values and a love for raw material, says Frederic Brollo speaking of his parents relationship with Diego Giacometti. He says, “When my parents bought their first work by Diego in 1968, they were in love with the artists work, of course, but they were also moved by a special affection for Diego as an individual whom they knew so well.  Frederic, who inherited and added to the collection was enchanted by his plaster mock-ups as a teenager and received many of them as gifts from the designer. They are included in this sale as well.

The prices on these objects, many well north of 100,000 Euros reflect the well recognized value of Giacometti’s work. What grabbed our attention this time was learning that these pieces are being seen for the first time and where for example many of these pieces my look familiar they are in fact individual commissions. Giacometti made tables with different animals and in different sizes to the clients request.  This stands in sharp contrast to contemporary limited edition collectible design.

This pair of chairs for example (above) was first conceived with leather seats. However, the lucky Brollo’s already had two pairs of chairs from the designer and requested that he place granite one the seats of this pair instead so they could be used as little elegant tables for guests to place their coup de champagne! We admire this type of relationship between the designer and the collector… almost a collaboration. It is a unique expression of creativity. Merging of two minds if you will. Supporting creativity that touches you is the sign of a true collector!

Hope you enjoy these highlights and if you are in Paris this exhibition is well worth the visit!

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Detail of above tabourets

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Greek table with bird perched on one brace. Plaster models in the background.

 

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This is a preparatory sketch of the current exhibition by Hubert Le Gall.

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Pair of Photophores, circa 1976

 

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One of a pair of tabourets, circa 1960

 

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Detail of above tabouret

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One of a pair of Lion-head Fauteuils

 

Paris Biennale 2016 sneak peek!

Screen Shot 2016-08-30 at 22.06.30Desk (c1957) in wood, parchment and bronze by Marc du Plantier. Galerie Jacques Lacoste, Paris.

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The 2016 Paris Biennale opens next week (10-18 September). This year there are 125 participating galleries (showing Fine and Decorative Art along with jewellery), a 36% increase from 2014 as the Biennale has joined forces with Paris Tableau, the international fair specializing in European Old Masters. The Biennale will become a yearly event starting from 2017.

Scenography this year is by set designer Natalie Crinière, and we’re particularly looking forward to the special exhibition ‘Tribute to the Mobilier National: Tradition et Audace’. Enjoy these few preview images!
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Screen Shot 2016-08-31 at 13.53.23180° Swivel chair (c1934) in solid mahogany by André Sornay. Seat and back upholstered. Galerie Marcelpoil, Paris.

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Screen Shot 2016-08-30 at 21.57.38Table by André Arbus (c1964). Patinated bronze base and marble marquetry top. Galerie Chastel-Maréchal, Paris.

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Pairs of chairs by André ArbusPair of armchairs (c1949) by André Arbus in black lacquered wood and leather. Female busts in bronze on the armrests by Vadim Androusov. Galerie Yves et Victor Gastou, Paris. 

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Desk and chair by Maxime OldMahogany and glass desk and chair (c1952) by Maxime Old. This was Mr Old’s personal desk, the model of which was presented at the Salon des Artistes Decorateurs in 1952. Galerie Yves et Victor Gastou, Paris.

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Screen Shot 2016-08-31 at 13.45.54Game table and four chairs (c1923) created for the Grand Hotel de Tours by Pierre Chareau. Mahogany, forged iron, beech, and brown leather. Galerie Doria, Paris.

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Screen Shot 2016-08-31 at 13.37.10 Bench Japon, c 1966, by Charlotte Perriand, Galerie Downtown, Paris.

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Screen Shot 2016-09-02 at 09.27.06‘La Religieuse SN31’ standing light by Pierre Chareau. The model was created in 1923, this light was made in 1928. Galerie Marcilhac, Paris.

La Biennale Paris, Grand Palais, Avenue Winston Churchill, 75008 Paris

Wishing you all a great weekend!

Kossi Aguessy

jord

Jord Armchair in Carrara marble

Born in Togo, raised in the New York, studied in London and worked in Paris, a self proclaimed artist with an engineering and architecture degree, Kossi Aguessy now lives and works in London and Toulouse.

His influence is global.  We are attracted to his perspective and attitude toward creation.  He says, “I am not a designer but a describer. I’m not a creator but a messenger – a bridge, a piece of a puzzle called evolution that started before me and shall continue long after.”

Damn chair

Damn Chair

 

Aguessy’s design aesthetic is inspired by antique cultures, and informed by contemporary technology.  He says, “The first question I ask myself at the very beginning of the design process is if this novelty is needed and what will be the human and environmental impact of it.  If the answer happens to be negative, I will not complete the process.”

Through his own studio – Aguessy Industry, established in 2004 – he charges himself, in Gandhi’s words, to “be the change you wish to see”. (source Design Indiaba: http://bit.ly/2bFNLYB)

Indeed his beliefs and methods have lead to very successful projects and collaborations leading to his inclusion last year in Vitra’s “Making Africa – A Continent of Contemporary Design” exhibition. His work has also included projects for brands such as Yves Saint Laurent, Stella McCartney and Cartier.

 

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Useless Tool Chair in Stainless Steel, Carbon and Nextel (Model acquired by the MoMA)

He recently began work with Galerie Vallois in Paris who will represent him at Art Paris Art Fair in Spring 2017 where he will present his Useless Chair (above), which is already in the collection of MoMA.

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L147 Table Lamp in Stainless Steel, Aluminum and Glass

 

Infinity Chair

Infinity Armchair in Aluminum

 

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Damn Chair in Laser Cut Aluminum (Model acquired by the Museum of Art and Design)

 

jord oak centre george pompidou museum

Jord Armchair in Oak

Le Don du Fel ceramic centre in the hills of Aveyron, France

Le Don du Fel in landscape

Le Don du Fel.Le Don du Fel ceramic centre in Aveyron

Founded by American ceramic artist Suzy Atkins (who shows her own work at the centre) and her English husband Nigel in the 1970s, Le Don du Fel has developed into an important centre for contemporary ceramics, exhibiting work from all over the world. There are six exhibitions annually. The building itself is breathtaking, perched high up on the hills close to the village of Fel with a spectacular panoramic view of the beautiful surrounding countryside. Designed by architects Lacombe & Florinié, the cylindrical shapes of the building are wonderful. The design was selected by the Forum d’Architecture Mondiale in 2008 as one of the most beautiful cultural projects in the world.

Among the many amazing pieces to see, here are just a few to inspire you!

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Work in porcelain by Simon Zsolt Jozsef

Hungarian potter Simon Zsolt Jozsef, who studied at the prestigious Moholy-Nagy School of Art and Design in Budapest, creates the most fantastic and mesmerizing shapes pulling your eye in all directions and creating a dynamic tension between the viewer and his work. ” I don’t want to catch the forms but the process of forming. Not the fruit or the flower, which are always changing and growing but the growth and change itself, which will form the material.” says Joszef. Fascinating and utterly covetable! (images above and below)

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‘Bouquet Projet’ in porcelain by Simon Zsolt Jozszf

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Jin-Eui-KIM-02-1024x1024South Korean artist Jin Eui Kim plays with illusion and space, as you can see in the image above, through the arrangements at varying intervals of bands of contrasting color.

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Vase by Duncan Ayscough

The work of British artist Duncan Ayscough (above and below) with its classical proportions is influenced by ancient Greek and Roman pieces. “Surfaces are constructed by layering five particled slips (terra sigillata) and subsequent length firings in combustible materials provide the pattern to the surfaces”, explains Ayscough. The gold leaf glimpsed in the interior draws your eye inwards to the centre of the piece. Each piece is wax-polished. Ayscough is a graduate of the Masters Program in Ceramics at Cardiff School of Art and Design.

Duncan Ayscough

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‘Capriccio’ series by Elke Sada

Look at the brilliant shot of color in this vibrant piece from the ‘Capriccio’ series by German-born artist Elke Sada who often paints using Chinese brushes. Sada completed her Masters of Arts in Ceramic and Glass at the Royal College of London and now has her studio in Leipzig.

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Vase by Suzy Atkins

Beautiful painted vase by Suzy Atkins, co-founder of Le Don du Fel.

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CF20-Pétale by Christine Fabre

‘Petale’, Christina Fabre

The work of French artist Christine Fabre is currently showing in an exhibition at the centre entitled ‘L’irrémédiable présence du passé’.  Fabre works in bronze as well as terra cotta and you can see an Eastern influence in her beautiful and minimal pieces. Exhibition runs through to 6 October 2016.

CF43-Opéra Mundi Bronze by Christine Fabre‘Opera Mundi’ by Christina Fabre

All images courtesy of Le Don du Fel

Very well worth a visit if you should find yourself in that part of France! If you’re interested in ceramics, click here to check out our post from a couple of weeks ago on a great exhibition in Villefranche de Rouergue.

Le Don du Fel

Wishing you all a good weekend!

Preview of Chinese Contemporary Design in Paris

We can’t help but peak ahead a bit even as we’re enjoying these wonderful summer days!

There are some great shows and sales coming to Paris this fall and one that looks exciting is the Piasa sale of Contemporary Chinese Design in October.

We have been intrigued by how this auction house is assembling themes sales, such and Brazilian Design or Italian design or focusing on a specific designer such as Pierluigi Ghianda or theme such as French avant-garde in the 1980s.

These sales create great learning opportunities for aspiring collectors!

Here are a few of the highlights for the sale in October. The official catalogue will be out mid September and the sale is 25 October.
design mvw 2009

Bookshelves, Design MVW, 2009

frank chou bold long table 2015 Bold Long Table, Frank Chou, 2015

shao-fan-chaise-mandarin-jie 1995

Chaise Mandarin, Shao Fan 1995 (detail below)

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shao-fan-round-backed-armchair 2000

 Round Backed Armchair, Shao Fan, 2000

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Bench, Song Tao, 2011

xiao tianyu cloud chair 2016 Cloud Chair, Xiao Tianyu, 2016

Art Deco furniture at the Musée d’Art Moderne de la Ville de Paris

Musée d'Art Moderne de la Ville de Paris

La Musée d’Art Moderne de la Ville de Paris is the long building on the right hand side of the image

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One of the most beautiful small collections of Art Deco furniture in Paris is in the Musée d’Art Moderne de la Ville de Paris – and it is often overlooked or indeed unknown!  Nestled within this monumental 1930s building (built for the 1937 World’s Fair in Paris), the collection includes pieces by such design legends as Ruhlmann, Printz, Adnet, Arbus, Chareau, Dufet and Dunand. The current museum, owned by the City of Paris and comprising the east wing of the Palais de Tokyo facing the Seine, was opened in 1961 and is predominantly known for its strong collection of 20th century and contemporary art.
The Art Deco style emerged and flourished in the 1920s, 1930s and 1940s when rapid industrialization was transforming culture. It took its name (short for Arts Decoratifs) from the Exposition Internationale des Arts Decoratifs et Industriels Modernes held in Paris in 1925. Historian Bevis Hillier defined Art Deco as “an assertively modern style [that] ran to symmetry rather than asymmetry, and to the rectilinear rather than the curvilinear; it responded to the demands of the machine and of new material [and] the requirements of mass production”.
Chair in zebra skin by Michel DufetFauteuil in zinc and zebra skin by Michel Dufet, 1930s
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Desk in zinc and red lacquer by Michel Dufet. Made for La Compagnie Royale Asturienne des Mines (1936). Esquisses for ‘Rythme nos 1, 2 & 3’ (1938) in gouache on paper by Robert Delauney.
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Rosewood ladies desk by Albert GueniotLadies desk in rosewood (1937) by Albert Gueniot. Look at that great waste paper bin attached to the desk.
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Commode by Eugene Printz; Cubist composition c1910-1920 by Léopold Survage
Commode by Eugene Printz, ; Cubist composition c1910-1920 by Léopold Survage 
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Hexagonal shaped armchair, c1920 Pierre ChareauHexagonal chair by Pierre Chareau, 1920s
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During DDays Paris in 2014 there was an exciting exhibition at the museum pairing contemporary design with Art Deco. See below a few images from that expo and get inspired!
Exciting pairing! Bina Baitel floor lamp and Emile-Jacques Ruhlmann commode at Ddays 2014

 Bina Baitel floor lamp and Emile-Jacques Ruhlmann commode at Ddays 2014

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Inspired mix! Coiffeuse, 1930s by Paul Frederic Follot, porcelain vase 2014 by Guillaume Delevigne, Sputnik lamp 2014 by Francois Azambourg

Inspired mix! Coiffeuse, 1930s by Paul Frederic Follot, porcelain vase and shelf with mirror 2014 by Guillaume Delevigne, Sputnik lamp 2014 by Francois Azambourg

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Spectacular combination Michel Dufet chairs in python with carpet and blown glass mobile by Felipe Robin, DDays May 2014

Spectacular combination – Michel Dufet chairs in python with carpet and blown glass mobile by Felipe Robin, DDays May 2014
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Art Deco doors
Entrance doors to a side entrance
11 Avenue du President Wilson, 75116 Paris
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Wishing you all a good weekend!

Joris Laarman Lab

 

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“The red line that runs through all of my work [is that] everything I do has to have a functional reason for why it looks the way it does,” says Joris Laarmen. Combining functionalism, which is often associated with soberness and ornament, which is often seen as superfluous to create a functional heater is surprising and ingenious. Large surfaces best radiate heat and this design exploits the complexity (many surfaces) of the rococo style to create a high-functioning heater.

That was in 2007.

The evolution of the Joris Laarman lab was well presented at Design Miami Basel this June. The ornamental element is still in play within some incredibly challenging 3D printed sleek/minimal fully functional forms.

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in-situ shot of the Joris Laarmen exhibition at Friedman Benda Gallery’s stand at Design Miami Basel, 2016.

Above: The form on the left is a 3D printed screen (there were mesmerizing videos behind it showing the process). To the right is a 3D printed metal bench.

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Microstructures Gradients Chair (Dual Cell), 2014

Thermoplastic polyurethane (flexible 3D printed material)

70 x 77 x 72 cm (27.56 x 30.31 x 28.35 inches)

The first chair in the microstructures series was called the Soft Gradient Chair and elaborates on the use of polyurethane in furniture design, but now in the digital age. It was designed and 3D printed in thermoplastic polyurethane. Using generative design tools and new material research, they basically created foam that is engineered on a cellular level to address specific functional needs for different areas in the object.

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Above: Side view

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Above: Detail of the complexity of the design.

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Above: View from the top.

The solid cells in the design create structural strength and rigidity, while the more open cells create softness and comfort, all within one printing technique.

The Soft Gradient Chair is part of the permanent collection of the Museum of Modern Art, New York, and the Milwaukee Art Museum.

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Screen Shot 2016-07-29 at 12.46.03 PMRendering of the bridge project that will take place during two months in 2017

Parallel to these small-scale domestic designs, Laarman has been commissioned to build a 3D printed steel pedestrian footbridge with MX3D over a canal in Amsterdam to open for public use in 2017.  MX3D is an R&D company working to develop cost-effective robotic 3D printing technology. The company has invented a 3D printing tool in the form of a six-axis industrial robot with an advanced welding machine that can 3D print metals and resin in mid-air, without the need for support structures. The tool adds small amounts of molten metal at a time, enabling it to print extremely intricate metal shapes.

The retrospective of Laarman’s work which debuted at the Groninger Museum in the Netherlands, will arrive at the Musée des Arts Décoratifs in March 2017 and is scheduled to travel to points the US after that.

 

‘Ceramiques d’Artistes’ in Villefranche-de-Rouergue

Vase Arp3, 1956.Vase Arp3 by Jean Arp and Atelier Manufacture de Sèvres, 1956. Collection Cité de la Ceramique, Sèvres 

Curated by Bernard Bachelier, the exhibition shows us the ceramic works of several renowned artists and their personal approaches to the medium. Clay, a fundamental and sensual raw material has long been part of the history of mankind with its practical qualities allied to its vast creative and artistic potential. The forming of shapes and objects with the hands is a primeval form of expression. What interested Bachelier is how many artists explored ceramics alongside their principal art forms, be it painting or sculpture.
Juan Miro‘Carreau’, Juan Miro, edition Artigas, 1996, after an original by Miro dated 1970.  Private Collection
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Pichet by Pablo PicassoPichet by Pablo Picasso. Private Collection
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Picador bowl, 1955 by Pablo PicassoPicador bowl, 1955, Pablo Picasso. Private Collection
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Porcelain plate from the Uni Service, 2008 by Chu The-Chun
Porcelain plate from the Uni Service, 2008 by Chu The-Chun and Ateliers Manufacture de Sèvres. Collection Cité de la Ceramique, Sèvres 
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The exhibition runs through to 30 September and is well worth a visit if you happen to find yourself in this corner of the world!  We’ll be posting more images on Instagram this week:
@your_design_link
@susan.boullier
@chase_elizabethw
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‘Ceramiques d’Artistes’,
Musée Municipal Urbain Cabrol,
Place de la Fontaine,
Villefranche-de-Rouergue.
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Wishing you all a wonderful weekend.