Treasure hunting in Paris on a rainy day

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A pair of 1960s Scandinavian teak and rosewood chairs. These exceedingly comfortable chairs carry some recognizable trademarks of midcentury Scandinavian design. The sculptural form of the arms is one and the use of teak and rosewood is another. Both woods are tropical hardwoods from South and Southeast Asia (Burma, Malaysia India and Indonesia)  and both are known for their strength and fine straight grain, which quietly and naturally enhances the aesthetic of these pieces.
 
The market for teak has become politically charged over the last twenty years or so as logging of Burmese teak (known as Thai teak) was revealed to fund the Burmese military known for its human rights violations. The Forest Stewardship Council (FSC®), a non-profit organization devoted to encouraging the responsible management of the world’s forests, was developed but they too have become mired in financial scams at various times. And finally recent teak farms in Africa and Costa Rica have upset the natural habitat. There leaves are the largest of any tree species and they are a natural herbicide. When they fall to the ground they naturally inhibit the growth of other plants.
 
Vintage teak is collectible. Buying contemporary teak furniture you are likely to inadvertently contribute to problems you would otherwise stay clear away from.
 
Knowing what your buying has important consequences!

The back splits are teak and the structure is rosewood. The seat is rubber-covered steel. The chairs have been reupholstered.

Size: H72cm x W63.5cm xD75cm
Height from ground to seating cushion 53cm
Height of seat frame without cushion 40cm

We found these two very different small 1960s French lights enchanting. The curved brass feet on the base of the left hand side lamp place it firmly in the 1960s. The other lamp is made of nickel plated chrome.

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We were very excited to find this rare mid century black-lacquered metal and brass desk lamp (1960s) which was produced by the German manufacturer Gebr. Kaiser Leuchten.   We have seen this model in books and know that it is a very limited edition. It is most likely by German designer Christian Dell who was collaborating with the company at this time. Trained as a silversmith, Dell went on to work as a foreman in the metal workshop at the Bauhaus. With WWII looming, Walter Gropius offered him a job in the United States but Dell decided to remain in Germany.

The large lamp head, the shape of which is echoed by that of the base,  pivots in a three-quarter circle so that light can be directed where you want it.  It is really a magnificent piece. 

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Inquiries about any of these objects:
contact@artecase.com or 06 47 25 09 66